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Airglow by Brian Larmay Airglow (also called nightglow) is the very weak emission of light by a planetary atmosphere. In the case of Earth’s atmosphere, this optical phenomenon causes the night sky to never be completely dark (even after the effects of starlight and diffused sunlight from the far side are removed).[**] View Larger

Airglow

by Brian Larmay

Airglow (also called nightglow) is the very weak emission of light by a planetary atmosphere. In the case of Earth’s atmosphere, this optical phenomenon causes the night sky to never be completely dark (even after the effects of starlight and diffused sunlight from the far side are removed).[**]

(Source: ikenbot)

Reblogged 1 day ago from scinerds (Originally from ikenbot) 5,185 notes View comments
leslieseuffert: Movement Swimming in a glowing, underwater sea of jellyfish would be a really beautiful experience. But, with limited access to the deep sea, this interactive installation by artist Takahiro Matsuo could be considered a backup to that kind of actual encounter. The dark blue room, a reminder of the oceanic abyss, is a seamlessly flowing design in which viewers can appreciate the beauty of these fascinating creatures without having to actually run the risk of a jellyfish sting. The Japanese artist worked in collaboration with architect Akihisa Hirata to define this unique, 3D spatial experience where exploration through light, projections, architecture, and human interactions is strongly encouraged. As visitors approach the walls, move around, and walk away, the number and frequency of jellyfish increases and decreases. The organic forms and the glowing palette of blues create a surreal, underwater world where playful movements and interactions with architectural space result in an unspoken communication between artist and participant. One reviewer states, “Thanks to the specific architecture of the space, it is an unexpected experience similar to swimming amongst a coral reef.” leslieseuffert: Movement Swimming in a glowing, underwater sea of jellyfish would be a really beautiful experience. But, with limited access to the deep sea, this interactive installation by artist Takahiro Matsuo could be considered a backup to that kind of actual encounter. The dark blue room, a reminder of the oceanic abyss, is a seamlessly flowing design in which viewers can appreciate the beauty of these fascinating creatures without having to actually run the risk of a jellyfish sting. The Japanese artist worked in collaboration with architect Akihisa Hirata to define this unique, 3D spatial experience where exploration through light, projections, architecture, and human interactions is strongly encouraged. As visitors approach the walls, move around, and walk away, the number and frequency of jellyfish increases and decreases. The organic forms and the glowing palette of blues create a surreal, underwater world where playful movements and interactions with architectural space result in an unspoken communication between artist and participant. One reviewer states, “Thanks to the specific architecture of the space, it is an unexpected experience similar to swimming amongst a coral reef.” leslieseuffert: Movement Swimming in a glowing, underwater sea of jellyfish would be a really beautiful experience. But, with limited access to the deep sea, this interactive installation by artist Takahiro Matsuo could be considered a backup to that kind of actual encounter. The dark blue room, a reminder of the oceanic abyss, is a seamlessly flowing design in which viewers can appreciate the beauty of these fascinating creatures without having to actually run the risk of a jellyfish sting. The Japanese artist worked in collaboration with architect Akihisa Hirata to define this unique, 3D spatial experience where exploration through light, projections, architecture, and human interactions is strongly encouraged. As visitors approach the walls, move around, and walk away, the number and frequency of jellyfish increases and decreases. The organic forms and the glowing palette of blues create a surreal, underwater world where playful movements and interactions with architectural space result in an unspoken communication between artist and participant. One reviewer states, “Thanks to the specific architecture of the space, it is an unexpected experience similar to swimming amongst a coral reef.” leslieseuffert: Movement Swimming in a glowing, underwater sea of jellyfish would be a really beautiful experience. But, with limited access to the deep sea, this interactive installation by artist Takahiro Matsuo could be considered a backup to that kind of actual encounter. The dark blue room, a reminder of the oceanic abyss, is a seamlessly flowing design in which viewers can appreciate the beauty of these fascinating creatures without having to actually run the risk of a jellyfish sting. The Japanese artist worked in collaboration with architect Akihisa Hirata to define this unique, 3D spatial experience where exploration through light, projections, architecture, and human interactions is strongly encouraged. As visitors approach the walls, move around, and walk away, the number and frequency of jellyfish increases and decreases. The organic forms and the glowing palette of blues create a surreal, underwater world where playful movements and interactions with architectural space result in an unspoken communication between artist and participant. One reviewer states, “Thanks to the specific architecture of the space, it is an unexpected experience similar to swimming amongst a coral reef.”

leslieseuffert:

Movement

Swimming in a glowing, underwater sea of jellyfish would be a really beautiful experience. But, with limited access to the deep sea, this interactive installation by artist Takahiro Matsuo could be considered a backup to that kind of actual encounter. The dark blue room, a reminder of the oceanic abyss, is a seamlessly flowing design in which viewers can appreciate the beauty of these fascinating creatures without having to actually run the risk of a jellyfish sting.

The Japanese artist worked in collaboration with architect Akihisa Hirata to define this unique, 3D spatial experience where exploration through light, projections, architecture, and human interactions is strongly encouraged. As visitors approach the walls, move around, and walk away, the number and frequency of jellyfish increases and decreases. The organic forms and the glowing palette of blues create a surreal, underwater world where playful movements and interactions with architectural space result in an unspoken communication between artist and participant. One reviewer states, “Thanks to the specific architecture of the space, it is an unexpected experience similar to swimming amongst a coral reef.”

Reblogged 6 days ago from overdosedethinner (Originally from leslieseuffert) 17,585 notes View comments
slowartday: Magnus Gjoen Magnus Gjoen’s prints examine how to change peoples relationship and preconceived notions of objects. Something which is potentially extremely destructive can be made into beautiful yet fragile objects of art. It’s this misconception of beauty which Magnus Gjoen wants us to see in a different light, being it weapons, animals or the human race itself. The latter which is capable of creating immense beauty but also capable of destroying it all. Taking inspiration from street and pop art and juxtapositioning it with fine art, he creates new and modern takes on old masterpieces or manipulates something powerful and strong into something fragile but beautiful. He often questions the correlation between religion, war, beauty & destruction in his art. Magnus Gjoen was born in London to Norwegian parents and studied design in London and Milan and works as a designer/graphic designer for Vivienne Westwood. (via) slowartday: Magnus Gjoen Magnus Gjoen’s prints examine how to change peoples relationship and preconceived notions of objects. Something which is potentially extremely destructive can be made into beautiful yet fragile objects of art. It’s this misconception of beauty which Magnus Gjoen wants us to see in a different light, being it weapons, animals or the human race itself. The latter which is capable of creating immense beauty but also capable of destroying it all. Taking inspiration from street and pop art and juxtapositioning it with fine art, he creates new and modern takes on old masterpieces or manipulates something powerful and strong into something fragile but beautiful. He often questions the correlation between religion, war, beauty & destruction in his art. Magnus Gjoen was born in London to Norwegian parents and studied design in London and Milan and works as a designer/graphic designer for Vivienne Westwood. (via) slowartday: Magnus Gjoen Magnus Gjoen’s prints examine how to change peoples relationship and preconceived notions of objects. Something which is potentially extremely destructive can be made into beautiful yet fragile objects of art. It’s this misconception of beauty which Magnus Gjoen wants us to see in a different light, being it weapons, animals or the human race itself. The latter which is capable of creating immense beauty but also capable of destroying it all. Taking inspiration from street and pop art and juxtapositioning it with fine art, he creates new and modern takes on old masterpieces or manipulates something powerful and strong into something fragile but beautiful. He often questions the correlation between religion, war, beauty & destruction in his art. Magnus Gjoen was born in London to Norwegian parents and studied design in London and Milan and works as a designer/graphic designer for Vivienne Westwood. (via) slowartday: Magnus Gjoen Magnus Gjoen’s prints examine how to change peoples relationship and preconceived notions of objects. Something which is potentially extremely destructive can be made into beautiful yet fragile objects of art. It’s this misconception of beauty which Magnus Gjoen wants us to see in a different light, being it weapons, animals or the human race itself. The latter which is capable of creating immense beauty but also capable of destroying it all. Taking inspiration from street and pop art and juxtapositioning it with fine art, he creates new and modern takes on old masterpieces or manipulates something powerful and strong into something fragile but beautiful. He often questions the correlation between religion, war, beauty & destruction in his art. Magnus Gjoen was born in London to Norwegian parents and studied design in London and Milan and works as a designer/graphic designer for Vivienne Westwood. (via)

slowartday:

Magnus Gjoen

Magnus Gjoen’s prints examine how to change peoples relationship and preconceived notions of objects. Something which is potentially extremely destructive can be made into beautiful yet fragile objects of art. It’s this misconception of beauty which Magnus Gjoen wants us to see in a different light, being it weapons, animals or the human race itself. The latter which is capable of creating immense beauty but also capable of destroying it all. Taking inspiration from street and pop art and juxtapositioning it with fine art, he creates new and modern takes on old masterpieces or manipulates something powerful and strong into something fragile but beautiful. He often questions the correlation between religion, war, beauty & destruction in his art. Magnus Gjoen was born in London to Norwegian parents and studied design in London and Milan and works as a designer/graphic designer for Vivienne Westwood. (via)

Reblogged 1 week ago from slowartday 8,785 notes View comments
actegratuit: Valentino Fialdini: LEGO For his latest project titled “LEGO”, Brazilian artist Valentino Fialdini created a series photographs of bright and colorful rooms and corridors. With the sun streaming through windows and shadows cast on the walls, it almost seems as if you’re looking at real rooms, but a closer look reveals that these sterile architectural spaces are, in fact, miniatures built with LEGO bricks and photographed by the artist himself. “Nothing is out of place in these architectures made of plastic, the spectator is the central character of these spaces based on Reinassance perspective. actegratuit: Valentino Fialdini: LEGO For his latest project titled “LEGO”, Brazilian artist Valentino Fialdini created a series photographs of bright and colorful rooms and corridors. With the sun streaming through windows and shadows cast on the walls, it almost seems as if you’re looking at real rooms, but a closer look reveals that these sterile architectural spaces are, in fact, miniatures built with LEGO bricks and photographed by the artist himself. “Nothing is out of place in these architectures made of plastic, the spectator is the central character of these spaces based on Reinassance perspective. actegratuit: Valentino Fialdini: LEGO For his latest project titled “LEGO”, Brazilian artist Valentino Fialdini created a series photographs of bright and colorful rooms and corridors. With the sun streaming through windows and shadows cast on the walls, it almost seems as if you’re looking at real rooms, but a closer look reveals that these sterile architectural spaces are, in fact, miniatures built with LEGO bricks and photographed by the artist himself. “Nothing is out of place in these architectures made of plastic, the spectator is the central character of these spaces based on Reinassance perspective. actegratuit: Valentino Fialdini: LEGO For his latest project titled “LEGO”, Brazilian artist Valentino Fialdini created a series photographs of bright and colorful rooms and corridors. With the sun streaming through windows and shadows cast on the walls, it almost seems as if you’re looking at real rooms, but a closer look reveals that these sterile architectural spaces are, in fact, miniatures built with LEGO bricks and photographed by the artist himself. “Nothing is out of place in these architectures made of plastic, the spectator is the central character of these spaces based on Reinassance perspective.

actegratuit:

Valentino Fialdini: LEGO

For his latest project titled “LEGO”, Brazilian artist Valentino Fialdini created a series photographs of bright and colorful rooms and corridors. With the sun streaming through windows and shadows cast on the walls, it almost seems as if you’re looking at real rooms, but a closer look reveals that these sterile architectural spaces are, in fact, miniatures built with LEGO bricks and photographed by the artist himself. “Nothing is out of place in these architectures made of plastic, the spectator is the central character of these spaces based on Reinassance perspective.

Reblogged 1 week ago from actegratuit 456 notes View comments